Author: Big Fish

The Coolest Tone Friendly Snare Dampener EVER!

I stole this idea from a Youtube channel called Sounds Like a Drum. They used gaff tape to hold a cymbal felt in place on the head. This is ideal because the felt bounces to let the full tone though then suppresses the unpleasant overtones, but not to the point that chokes the snare. It’ very natural sounding.

Below is my creation that tethers a cymbal felt off a rim mount. It’s even adjustable in relation to the edge of the snare.

This is the best dampener that I have ever used. And I have used a lot.

Sound Treatment

I’ve had these foam sound blocks sitting around forever. I never hung them because it would have left several holes in the wall after removing them for cleaning a few times. So I finally had the idea to mount them on removable frames. It was a self-proclaimed moment of brilliance because not only does the foam work to tame the high frequencies, an air-pocket is created that is good for trapping bass frequencies.

I A/B’d them by putting up just the right side. Huge difference. After getting both up, I discovered that the bass was being swallowed, which is the exact opposite I expected. Bass is super clear and I can easily hear adjustments on the lower end.

Materials
Frames
Hanging wires, picture style
Strategic placement

New Chair

It’s a gaming chair which doubles as a mixing chair. Therefore, it’s music related.
It’s awesome!

Thank you over-hyped-stolen-holiday-capitalistic-first-world-privileged-frenzied-consumer-conditioned-impulse for the great price reduction. Otherwise known as cyber…black…some day of the week? Isn’t there a green something or other now? I forget. Or maybe I just don’t care. Yeah, that.

I’m in a mood

The SG is Back

You know how your car drives better after you wash it? Well, that’s exactly what happens when you replace the tuners, electrical, pickup, and knobs on your guitar. This thing has never felt so good. I went from a Seymour Duncan Fat Cat true P90 to a DiMarzio Tone Zone humbucker. To give you an idea of the Tone Zones tone, it’s listed as 8.5 bass, 8.5 mid, 5 highs, and 17.31 K on the windings. That’s one fat pickup, and it sounds exactly like I want. I installed it with the intention of upgrading someday, but I’m not so sure now. It makes a bridge pickup sound like a neck pickup, but retain the bite. Fuck yeah! The switch toggles between traditional series wiring and parallel. The parallel has a thinner, more single coil sound while still bucking the hum. It’ll be good for the whaca whaca funky parts.

I did try a linear pot on the tone knob. Mistake. Someday I’ll change it to a logarithmic pot.

Dropping the tone all the way back and pumping through a fuzz is sweetly brutal. It warms all my fuzzies.

Removing the machine heads
Before.. after! Notice the locking mechanism on the shiny one.
New guts. All solid wire, no stranded here. So much easier to work with.
What a presentation. I should organize… or not.
The P90. It’s perty, but noisy.
The original guts. Pots were going.
No guts.

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