Author: Big Fish

Gear Acquirement

When I research something, I go deep. Stupid deep.

I play three instruments and have tone goals for all of them. For the past few weeks, I have searched high and low on how to improve the tone on my bass, guitar, and drums. I don’t feel like writing a book, so I’m just going to word vomit in a semi-chronological order.

Bass dry – tube boost -no workie – volt increase – kinda workie – put on guitar – loved it – stays with guitar – hot wax OD into tube boost – complete and total crap – rededicated myself to selling it – staged boost with pretubes – acquired lower gain power tubes – decrease headroom – increase pretube drive – me likey lots – stage gain again – find that sweet spot – guitar done for a while – not true – listened to an alnico vs ferrite magnets for speakers comparison on the youtubes – loved it – must have it – went stupid deep – like real deep – customize speaker? – say no more – decide to move money in different direction – guitar good for now – toms heads are too thick – study heads – find heads made of real skin – human skin – not really – cow – expensive – all on back order – manufacture had a promo head lying around – real skin snare drum head on the way – bought a die-cast snare drum hoop – stiffer/less ring/stable tuning – already have new bottom snare head and wires – need head! – Hmm – want a humbucker for SG – no a P90 – I’m a P90 guy – nah, want a humbucker – back to… keeping my current pickup – it sounds nice – need P90’s on my Wildkat – spensive af, will wait – was about to purchase flat wounds for the bass – for no reason, checked out tape wounds – found locally, purchased – I found it! – I mean, really found it! – dropped my tone knob – growly velvety yumminess – fuck other instruments – I’m playing bass – opening up new pathways – pushing drums hard – forcing my brain into uncomfortable rhythm patterns – drums good – just waiting for the head – guitar good for now – will need a boost – bass ok – tape wounds changed my direction – recorded drums and a bass track – this will probably be a post of its own – excited on finding a bit of my new sound – actually old in my head – gain knobs on sound cards cranked too high – researched mic boosters – found affordable ones that work great, just like the “pro” ones – ordered – tried all four of my 10″ bass speakers – landed on original – want better – did research – found that Eminence is the “one” for the Ampeg sound… according to Ampeg – I have an Ampeg – I’m an Ampeg guy – ordered speaker – ordered mic boosters – acquirement stopped – I’m good for now – will save for an actual tube bass head – Ampeg, duh – Enjoy tubes on guitar so much – need that on bass – so much more to get – totally passable now for recording – I’m enjoying this – probably irritating the crap out of you – yep – and…

The Tools

On top are the main stringed instruments I use. From left to right.

Fender fretless Strat- Was given to my by my brother. I tore the frets out, ordered a custom pick guard, and put an Invader and some stacked double coil in single coil size terrible sounding pickup.

Epiphone Wildcat -An Epiphone designed semi-hollow body. All mahogany routed out body with P90 pickups. Semi’s are not routed, they are separate pieces glued together. This is the punk rock semi-hollow.

Fender Mustang – MIM shortscale bass. Upgraded bridge and pickups. Pickups are the Fralin PJ set. Pretty much the best vintage sound you’ll get. Keeps the mids.

Gibson SG Jr. – bought this off some 14 year old who’d rather have a BMX frame. Had a home done lacquer job and a hole drilled through it for a coil tap switch. I sanded off the crappy lacquer job and oiled it up. Upgraded the bridge to a Stetsbar tremolo and a Seymour Duncan true P90. The original SG’s had P90’s. Played through a tube amp, this thing can sing like a Tele. A real rockin hot rod of a guitar.


On the bottom are my specialty stringed instruments. L to R.

Hohner fretless bass -In my young and stupid years I financed this from Muzic Mart because I felt instruments were more important the food or a secure future. I’ve kept this over the years and haven’t altered a thing. It’s probably the only instrument I haven’t dinked with.

La Patrie nylon guitar – A Canadian made, solid ceder top for warmth and cool factor. I neglect this gem. Shame on me.

Ibanez S series floating trem stunt guitar – I’d sell this thing but I routed through the body trying to customize a brass insert plug for the middle pickup. Pretty much kills the value. I’ve since restored it back to it’s original parts sans pickups. Both DiMarzio Gravity Storms. Fat and complex tone. It’s a great guitar but I don’t like 16″ radius necks.


Degrade!

This is on the way! A low end specific fuzz from the good folk(s?) at Dirty Haggard Audio. A unique pedal as it has an adjustable filter that keeps the high end from being fuzzed. That’ll help keep the clarity by focusing the fuzzy bits on the lower end. Also a mix knob of sorts. It never goes full clean, but maintains the character of the pedal so it doesn’t sound like two sounds from different worlds.

Pedal Board, Guitar

Concept.

The switcher will reverse the UFO and Russian Muff enabling four distinct variations of fuzz; one or the other, both, and both in reverse.

The feedback looper can act as a normal looper, switching on/off the tremolo, delay and phaser, or be a feedback loop causing the output of those effects to be fed back into the input. I may put a kill switch before those effects to allow tails when I kill. If I stutter the kill, those tails should also be introduced into the delay causing mayhem. Then add some feedback…

On my to get list. Switcher, tremolo, phaser, feedback looper, kill switch, boost.

The Dying Duck
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